If you are the discerning film enthusiast, who would rather watch fewer (quality rich) films a year than the run-of-the-mill fare that is dished out, then ‘Aamir’ should definitely feature on your impressive list.
High on drama and suspense this is a no frills movie that awakens the mind. There are no exotic foreign locales, nor traditional Indian settings; no A R Rehmans nor Shankar-Ehsaan- Loys nor Vishal-Shekars duets; no stunning heroine to complement the hero and no exaggerated emotions that tug at your heart.
Right from the opening scene this movie holds promise of being fast-paced and intriguing. London returned, Aamir Ali’s life takes a turn for the worse the moment he sets foot in India. Just minutes after stepping out of the airport, he is thrust with a cell phone and the trail of the movie is set ablaze. Alphonse Roy’s camera work is laudable as he captures Mumbai in its truest form, leading us down narrow, crowded, filthy alleys, capturing sights and sounds of the city which the modern, urban Indian is ignorant of. Amit Trivedi’s music adds character to the scenes and blends into the narrative. Aarti Bajaj’s crisp and tight editing requires a special mention. Applause for the star of the film Rajeev Khandelwal, who carried the entire film forward, expressing emotions as if he were in that situation for real and for showcasing talent we are so much in need of. Raj Kumar Gupta’s direction seemed flawless and there were certain unforgettable scenes. The film carries a message for all, refrains from being over-the-top and ends on a poignant note. Bottom-line: Must watch!
